The Countess Gemini also came to call upon her, but the Countess was quite another affair. She was by no means a blank sheet; she had been written over in a variety of hands, and Mrs. Touchett, who felt by no means honoured by her visit, pronounced that a number of unmistakeable blots were to be seen upon her surface. The Countess gave rise indeed to some discussion between the mistress of the house and the visitor from Rome, in which Madame Merle (who was not such a fool as to irritate people by always agreeing with them) availed herself felicitously enough of that large licence of dissent which her hostess permitted as freely as she practised it. Mrs. Touchett had declared it a piece of audacity that this highly compromised character should have presented herself at such a time of day at the door of a house in which she was esteemed so little as she must long have known herself to be at Palazzo Crescentini. Isabel had been made acquainted with the estimate prevailing under that roof: it represented Mr. Osmond＇s sister as a lady who had so mismanaged her improprieties that they had ceased to hang together at all—which was at the least what one asked of such matters—and had become the mere floating fragments of a wrecked renown,incommoding social circulation. She had been married by her mother—a more administrative person, with an appreciation of foreign titles which the daughter, to do her justice, had probably by this time thrown off—to an Italian nobleman who had perhaps given her some excuse for attempting to quench the consciousness of outrage. The Countess, however, had consoled herself outrageously, and the list of her excuses had now lost itself in the labyrinth of her adventures. Mrs.Touchett had never consented to receive her, though the Countess had made overtures of old. Florence was not an austere city; but, as Mrs. Touchett said, she had to draw the line somewhere.