选角棒极了，梅兰妮和麦克格雷格看上去都会是那种社会成熟度低于同龄人的文中，长期给自己套上一些不可言喻的枷锁，增高着自身对快乐对相处关系的阈值——看着隐藏同性恋身份的父亲和犹太母亲44年的貌合神离，不得不忧心如何与另一人常年共居一室，还不如一条只能基本交流的狗.
直至父亲出轨追求真爱.
摄影机和中国戏曲结合得还是太机械了. 固定镜头和千篇一律的中全近景始终还是像一块幕布一样阻挡在舞台和观众之间. 戏曲的手眼身法步在此也被弱化，取而代之的却是故事，这未免太因小失大. 虽然费穆本意并非于此，但毕竟历史叙述并不等同历史事实，从后代眼光来看，整部影片除了形式，都未能有所成功. The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
